Fantoni, Umberto
- Johan Melle
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Re: Eternal Croupier
L'erotomane (1974) as Member on the board of directors
- Johan Melle
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Re: Eternal Croupier
Chiamate 22-22 tenente Sheridan (1960) as Member of the execution team
- Ciavazzaro
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Re: Eternal Croupier
And finally we have his name !
Our friend have a big role as the director of a big factory who ask the help of a private detective in the fotoromanzo Rose et Reseda Operation Star V N.1 (August 1968).
...and thanks to his big role welcome to UMBERTO FANTONI.
Our friend have a big role as the director of a big factory who ask the help of a private detective in the fotoromanzo Rose et Reseda Operation Star V N.1 (August 1968).
...and thanks to his big role welcome to UMBERTO FANTONI.
- van den bremt rudy
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Re: Umberto Fantoni
Madri pericolose (1960) credited as party guest
It's only the second credit role for him that we have found, even if other generici like Mari, Pelegatti and
Mondini are also party guests, so very strange
It's only the second credit role for him that we have found, even if other generici like Mari, Pelegatti and
Mondini are also party guests, so very strange
- Johan Melle
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Re: Umberto Fantoni
And here the second credited role in Ruba al prossimo tuo (1968) as Passenger boarding the plane
Originally posted by Carlos back when we didn't know who he was and this was believed to be an uncredited role, so re-posted here together with the credit shot.- Johan Melle
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Re: Umberto Fantoni
He has two roles in Tre storie proibite (1952). First as Bar customer...
...and later as Train passenger
...and later as Train passenger
- Johan Melle
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Re: Umberto Fantoni
Two roles again in Io piaccio (1955). First as Scientist...
...and later as Audience member in the theater
...and later as Audience member in the theater
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Re: Umberto Fantoni
Amaramente (1956) as Croupier (present in several scenes)
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Re: Umberto Fantoni
Colpo doppio del camaleonte d'oro (1967) as Bank clerk
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Re: Umberto Fantoni
Anna perdonami (1953) as Croupier. Unfortunately, the scene is shot so that a big lamp is almost constantly covering his face
Umberto is actually more visible in this image from the film's poster than he is in the film itself
Umberto is actually more visible in this image from the film's poster than he is in the film itself