Oscuro, Mara

Post by **Johan Melle** » 02/04/2021, 19:01

: Mara Oscuro, in L'uomo, l'orgoglio, la vendetta (1967)

Mara Oscuro was a generica who was active in Italian cinema from at least the late 1950s and throughout the 1960s, often in unglamorous roles as simple working-class women of various kinds.

She was identified by Ciavazzaro thanks to her credited role in the fotoromanzo Carina N. 47 year 1971.

Filmography

1959

Nella città l'inferno .... Prisoner (credited)

1961
Akiko .... Spectator at wrestling match (uncredited)

1962
Sodoma e Gomorra .... Hebrew woman (uncredited)

1964
Coriolano eroe senza patria .... Woman in crowd outside the senate (uncredited)
Maciste nell'inferno di Gengis Khan .... Angry villager (uncredited)

1965
Io uccido, tu uccidi - segment "Cavalleria rusticana: oggi" .... Sicilian villager (uncredited)

1967
L'uomo, l'orgoglio, la vendetta .... Cigar factory worker (uncredited)
Little Rita nel West .... Juror (uncredited)

1968
Serafino .... One of the aunts (credited)
Romeo and Juliet .... Guest at the Capulet party / Nun at the funeral (uncredited)

1969
Ehi amico... c'è Sabata, hai chiuso! .... Townswoman (uncredited)

1970
Principe coronato cercasi per ricca ereditiera .... Creditor (uncredited)

Post by **Johan Melle** » 02/04/2021, 19:04

Nella città l'inferno (1959) credited, as Prisoner

The first of only two known credited film roles for Mara. She appears in a several scenes throughout the film as one of the prisoners, yet never features very prominently in any of her scenes.

Post by **Johan Melle** » 02/04/2021, 19:05

Maciste nell'inferno di Gengis Khan (1964) as Angry villager

Thanks to Nick for the pictures

Post by **Johan Melle** » 02/04/2021, 19:06

L'uomo, l'orgoglio, la vendetta (1967) as Cigar factory worker

Post by **Johan Melle** » 02/04/2021, 19:07

Little Rita nel West (1967) as Juror

Thanks to Nick for the pictures

Post by **Johan Melle** » 02/04/2021, 19:10

Serafino (1968) credited, as One of the aunts

Mara's second credited role. She appears in numerous scenes throughout the film, but much like in Nella città l'inferno, she doesn't get much to do and is mostly relegated to the background.